Showing posts with label cimaruta. Show all posts
Showing posts with label cimaruta. Show all posts

Saturday, August 10, 2013

Magickal Circles and Pitiful Class Notes

Recently enjoyed my second Saturday afternoon workshop in New Hampshire, this one on casting a magickal circle.  The workshop was so interesting and so packed full of information, I kept forgetting to take good notes, and ended up with bizarre and incomprehensible scribbles such as:  “apple pie, citrus, wafts in space.”   Which is why no one should allow me to cast a magickal circle any time soon.  (see diagram of my anticipated first attempt at it, right)  And then I spent the next morning trying to make sense of everything that was said.  No luck so far.  *sigh*.   Or should I say, “d’oh!”

Fortunately, the instructor decided to tape the workshop, so I’ll listen to it this weekend and try to catch some clues as to why it was I scribbled incomprehensible nonsense about apple pies and citrus.

Found another wonderful witch in support of anti-Twinkism.  Twinkiism?  WHATEVER!  This one from Zsuzsanna Budapest in The Holy Book of Women’s Mysteries.  Now, obviously she’s not in favor of running up and down the west coast zapping everyone who ticked her off with some swishes and flicks of her wand ... or the entire coast would be one gigantic mass of boils, warts and broken bones, and all of Hollywood’s special effects make-up artists would be out of business.  But she is, thankfully, completely in favor of empowering witches with the ability to zap people when they need to.  Such zaps should be well thought out, definitive, done with courage and a willingness to face whatever consequences there may be.

“A witch who cannot hex,” sayeth she, “cannot heal.”

My first reaction?  Just what you might expect:  THANK YOU!!!!!

I hadn’t realized that there was a name for what I had been slowly doing over the last several years – more or less:  Pagan Reconstructionism is the general term for insisting on going back to the original historical source material.  Drew Campbell in Old Stones, New Temples described Reconstructionism as preferring:

•    The primacy of historical precedent regarding deities, worship and symbolism.  (And yes, I can see from here those readers who have witnessed me blowing up time and time again when this hasn’t happened, nodding energetically at that one.)
•    An insistence on cultural specificity and rejection of eclecticism.  (Say wha ...?  Took me a while to figure out what that meant.  Basically:  pagan reconstructionists are not in favor of picking and choosing deities or rituals from various cultures and combining them.  I’m not sure I do agree with that one.  Sounds too much like “rules and regulations” to me.  Why couldn’t I combine a ceremony honoring Sekhmet with a ceremony honoring Aphrodite?  They both have sexuality, lust, love and sensuality as characteristics, although there are differences in nuance, I think.  Other examples:  An and Ki, Nut and Geb playing much the same roles).
•    The rejection of Mesopaganism (e.g., revival-era druidic groups, Freemasonry, Rosicrucianism, ceremonial/ritual magick) and Christic influences on modern pagan religions.  Another definition:  “A term coined by Robin Goodfellow and used to refer to a religion which attempts to revive any of a various form of a paleo-pagan religion but are unable to completely give up judeo-christianity. Some examples are Masonic Druidism, Thelemic and some eclectic wiccans who still attend a xian church.”
•    An emphasis on “hard” polytheism, and skepticism regarding modern unifying theologies, particularly (1) Wiccan duotheism (“All gods are one God; all goddesses, one Goddess”) (2) the triple goddess paradigm of Robert Graves (Maiden-Mother-Crone); and (3) Jungian archetypism.  The unifying theology sounds to me much like the mesopagan definition.
•    A respect for personal gnosis (individual spiritual inspiration) coupled with a clean distinction between practices derived from intuition and those based on historical precedent.

Now, not every single one of those points pertained to me.  I hadn’t rejected ceremonial or ritual magick, mainly because it seemed somewhat useful in the “Let’s Learn About Incubi!” side of things, and I found Crowley’s work with ritual magick – or was it ceremonial magick? – fascinating.  I did realize it didn’t quite fit in with everything else I was learning, though.

I haven’t stopped searching for methods ways to invoke incubi, which I consider the same as the angels from the Book of Enoch.  I think Ida Craddock’s spirit husband was more of a very talented ghost than anything else.  But to invoke one of those angels, there are a lot of skills I need to pick up first.

About the Christic influences?  Definitely!  That always stuck out like a sore thumb, it was so obvious when you saw it.  Every time I went nuts over yet another “church lady in a pointy hat”, spouting rules, regulations and puritanical anti-sex crap at everybody, that’s what I was rejecting.  Far too many of those running around, pretending they were witches, or, even worse, actually thinking that they were witches.

I’m not ready yet to run headlong into pagan reconstructionism, though, mainly because there are so many directions in which to run.  Towards Sekhmet?  The Sumerians, Assyrians?  The Italians?  The teachers I’ll be learning from focus on the Celtic, which I suspect is not where I want to go – I’m not Celtic, for one thing – and some of the Gardnerian foundation bothers me.  Still, if the recent class was any indication, there is so much to be learned from them.  Once you respect the teacher’s basic skills and intelligence, it doesn’t much matter what tradition they seek for themselves, as long as they have the ability to teach you the skills you need to learn to seek your own.  Basic classes begin in September.

Woke up a week ago SCREAMING.  Charleyhorses in both calves, tendon cramps on the outside of both feet, and the inside of both feet, ankle level; cramps in both thigh muscles; tendon cramps on the backside tendons of both thighs.  All simultaneous.  At that point I was beyond crippled, beyond immobile and howling with pain.  I couldn’t even move to massage the cramps in both legs; all I could do was lay flat and scream into the pillow until I was hoarse, and try to WILL my muscles to unclench.  It took five to ten minutes of horrific agony until I could try to roll over and push myself up, and by that time I was nearly blacking out from the pain.  Even that slight movement set my legs off again – and me into another bout of pillow screaming.  Took me a full thirty minutes before it was even remotely bearable.  By four in the afternoon, Saturday, I could still barely walk, that’s how awful the damage was.  Both of my eyes were bloodshot from the screaming.

There has to be some way to get rid of these things!  The medication they gave me works most of the time, but is also beginning to give me tremors – slight ones, although every once in a while my hand will suddenly fling itself off to the right or something, and my pen flies across the room.  My legs do the same thing every once in a while, too, and thank goodness I’m usually sitting down when it happens.

While I recovered from the horrible leg & foot cramp experience, I read more detail about the cimaruta in The Evil Eye : an account of this ancient and widespread superstition by Frederick Thomas Elworthy, 1895, London: John Murray.  If you can stomach the sneering christian condescension and nastiness ("superstitition"?), it’s available on Google Books for downloading.  Really.  It’s nauseating.  The next time a christian whines about all the anti-christian sentiment directed at people like her who are obviously saints, wave the book under her nose as a good reason why she and her ilk had it coming.

Still.  If you can ignore the appalling rudeness, the book is vaguely useful when it comes to historical practices – even without the information on cimarute, the work is full of the ancient symbols and talismans employed in classical civilizations – although, you have to admit, it didn’t much save them from the onset of the Dark Ages from which  we’re still suffering, although fortunately, the dark Age of Pisces is fading away, brought on by ever more ugly scandals perpetuated by christians and their deeply repressed lust.

The cimaruta is always made from silver, which is sacred to Diana and is always created with three branches, sacred in all sorts of ways:  maiden/mother/crone (see, there’s that Robert Graves thing again.  I should probably read his book); three-road intersection; the three sisters, the three wyrd sisters, the Triple Crown ... okay, forget that last one, but you get the idea.

Early morning nooner with a FWB and went flying over the moon – twice.  Second flight so intense it felt as though it lasted 5 minutes.  Afterwards, he was so sure he was responsible for the experience, strutting around so puffed up and impressed with himself I didn’t have the heart to remark that, in actuality, a Piero fantasy – both times – was responsible.  The second fantasy was just a little more inventive than the first.  I consider myself lucky I didn’t scream Piero’s name out loud and destroy the FWB’s ego for life.

Oh, the shameful deliciousness of it.


Saturday, April 6, 2013

Megalesia, Cybele, Attis, Piero Barone's Sexy Legs III and New Video, and my new Cimaruta

We are now in the middle of the Megalesia, a Roman festival established in 191 B.C., to honor the Magna Mater 'Great Mother' goddess Cybele. The Megalesia was held from 4-10 April or on April 4 and 10.

A goddess of caverns, mountain tops. wild beasts, bees ...

"Along with her consort, the vegetation god Attis, Cybele was worshipped in wild, emotional, bloody, orgiastic, cathartic ceremonies.

Cybele was the goddess of nature and fertility. Because Cybele presided over mountains and fortresses, her crown was in the form of a city wall. The cult of Cybele was directed by eunuch priests called Corybantes, who led the faithful in orgiastic rites accompanied by wild cries and the frenzied music of flutes, drums, and cymbals. Her annual spring festival celebrated the death and resurrection of her beloved Attis."

Her Greek mythology counterpart was Rhea.

Sexual "morality" is one of the major blind spots to understanding the past. The Western world has become so enmeshed in the Judeo-Christian view of sexuality that it takes a major effort for most to take an unbiased viewpoint of cultures that had a much healthier view of human sexuality. Even today's neo-Pagan, who is taught that all acts of pleasure, that harm none, are forms of Her worship, often still struggle with the "morality" of same-sex relationships and even the existence of transsexuals so it should not be a surprise that much written about ancient sexuality is tainted with unexamined bias. The term "temple prostitute" is an excellent example. The very term is extremely negatively emotionally loaded. To avoid this, I shall refer to those who practiced the institutional sacred sex role as hierodules, a greek term without that loading to the modern reader.
http://www.gallae.com/

I agree with her in that the world "temple prostitute" is tainted with judeo-christian-islamic revulsion at the very word "sex". The historians of the time wouldn’t have used the word with the same condemning, condescending, puritanical prissiness being used today. I’m all in favor of creating a new phrase to replace that one.

Our next full moon, the Pink Moon (or the Sprouting Grass Moon, the Egg Moon, and the Fish Moon) isn’t until April 25, so we’re within the time of banishing, diminishing spells up until the new moon on April 10.




Vic-tor-yyyyyy!!!!

Aside from the excitement of the arrival of Game of Thrones, Season 3, I finally found a genuine cimaruta – had to search Italy from Trieste to Agrigento to find it. And here is the One and Only and his beautiful, sexy legs congratulating me on my good fortune! (Yes, that was a bald-faced lie ... the congratulating part, I mean, not the beautiful, sexy legs part. Hey, I can fantasize. So sue me).

According to the One and Only, after performing, recording, and taping two PBS specials in Miami, they’ve flown back home. Not sure WHAT they were recording, but whatever it is, it has to be good. The good news is that their presence in Miami suggested a few hours of relaxation on a beach or beside a pool, in or near the water, wearing delightfully skimpy attire, within visual range of people with cameras. Which – at least in Piero’s case – makes me delightfully happy ... (OMG, am I in love with his legs!) I would have been delightfully happy even without the cimaruta.

But I finally found one! A genuine cimaruta!!! It’s gorgeous. This one is from Firenze (Florence), by the way.
Meanwhile, the cd’s recorded by Christopher Penczak arrived. He really does have a calm voice, but the recording itself threw me for a proverbial loop.

He was (calmly) tossing out affirmations that the listener was supposed to repeat. The problem was: I couldn’t do it. An example of one such affirmation: "I love and forgive myself."

I stopped in my tracks after hearing that affirmation, unwilling to repeat it. Said, "But I don’t," even though I wasn’t certain what I was or wasn’t forgiving myself for, in Penczak’s mind. Maybe I didn’t love or forgive myself, and what difference should it make? My brother’s death was a biggie I couldn’t get past any way I looked at it. I’ve NEVER gotten past that. I don’t know that I ever will. I certainly wasn’t wandering the streets starry eyed with love for myself, either, THAT much I knew. Before I could give my objection some more thought, he went into to another affirmation I couldn’t bring myself to repeat because I knew it wasn’t accurate. Then another. And another. I stopped the CD altogether.

And then sunk into a rage of self-loathing, the likes of which I can’t begin to describe. It felt like a free-fall into a bottomless abyss.

And then, about 3 or 4 days later I had started to doze on the train, and was in that borderland between asleep and awake. A voice said, "That was not an observation or a condemnation; it was a path." I thought at first it was someone sitting near me, and then realized it wasn’t.

This was basically the message: no matter how many people tell you that you have to achieve some sort of mental and emotional purity before anything positive will happen to you, they’re wrong. My Spirit Lover was perfectly willing to work with me, even with my feelings of guilt, and understood perfectly why being partially disabled could very easily lead to self-loathing. Neither of those were "deal-breakers".  It wasn't required of me to repeat affirmations that I was emotionally unable to repeat.  The incident merely served to point out a possible path of development, that was all.

Well, we have another reader passionately devoted to Piero Barone of Il Volo, asking for this video. Out very recently, it knocked me flat when I saw it – it was done for fun by Piero and one of his friends while he was in Naro for the December-January holidays; he's lip-syncing to one of his own live performances of this song in 2012 that someone recorded after their performance at the Beacon Theater.  I know this because the first time we heard the revised version of the line, "that anywhere I go" was in New York.  You can hear the audience scream with delight when he got to "that anywhere I go I'm never lonely" - trust me, a live Piero Barone performance is breathtaking and he knocked the audience out of their seats with that line.

I absolutely loved this video when I saw it – you can tell he had a hoot doing it.  Word of warning though:  this may not last long; other copies of this have been deleted, I fear this may go the same way.  Enjoy while you can.

So to "Lauren", who found her way around the requirement that she had to leave a "URL" – she didn’t. Instead she brilliantly signed her name in the message itself.  Here’s the homemade video she asked for:


Sunday, July 29, 2012

Minchiate Tarot Magus and an OCD Meltdown

Ahhh. A weekend. Shaving a bar of soap for my month’s worth of laundry detergent (yes, some of us actually make our own laundry detergent !) and checking out my new Minchiate deck, created in Florence in 1725.

While you would THINK this was a typical tarot deck, it is not – this deck has 97 cards instead of 78, and started out as a game of tricks, played in northern Italy. The symbolism is also different in many respects than other decks people are used to seeing. Fascinating deck of cards. Trying to decide how to make best use of them; or interpret cards that I’ve never seen before.

The one I frowned at was the Magus. "Frowned" not in the sense that I didn’t like it, but in the sense that I didn’t understand it. I’m familiar with the powerful Magus of, say, the Thoth deck, or even the Rider Waite, although THAT Magus always looked too young and inexperienced and the infinity sign over his head looked like the path of cartoonish birds flying in circles and tweeting up there, making him look dazed and confused instead of all wise and powerful.

The Magus, as I’ve mentioned before, shows up in my own readings quite frequently. I could shuffle the deck for hours on end, and still get the Magus in consecutive readings, because as I said, it’s the card representing Mr. Signpost. Every time I get the card, I know that I’m going to be sent flying off on a fact-finding mission because of something he wrote or tweeted. Basically it means: "Pay attention. You’re about to learn something." And it hasn’t failed me yet.

But THIS guy, the Minchiate Magus ... I had no idea what to make of him. First, they don’t identify him as a Magus, but instead as a giocoliere, a juggler, except he’s not juggling anything. He looks seriously cranky, for one thing – which I’m OK with – but the turban: is he supposed to be from the far east? One of the original Magi? And who are the other two characters who look so afraid of him? He almost looks like he’s poisoning them.

Minchiate Drama in Three Lines

Giocoliere/Juggler: (sotto voce) Psst! Here. Drink this foul brew and don’t ask questions.
Man #1: No, no, you can’t make me! (*sob*!) ...
Man #2: Yes, he can make you drink that, he can bewitch you into drinking it! He’s a ... juggler!

See? The whole thing makes no sense. If anyone out there has experience with this deck ... I’m all ears.

In my previous post I had mentioned discovering a symbol, and then never described it. I was actually intending to describe a cimaruta ("sprig of rue" ). I’d discovered it in the book on Italian witches, and wanted to get more information on the protective or homeopathic properties of rue.

I ended up in a state of rage. Picture it: 2012. The Internet. A search for "rue" using Google. Result: innumerable cooking sites. Woman #1 perkily announces she uses vegetable broth to make her "rue" for turkey gravy – and why she’s doing that I have no idea. She can’t be a vegetarian, or why would she be having turkey? Woman #2 cheerfully burbles that she’s always wanted to try using vegetable broth for her "rue". This goes on for comment after comment, reply after reply, each dumb woman using the word "rue" for the same gravy base until steam is coming out of my ears. Wait for it ...! The emotional OCD meltdown is coming ... NOW:

"AAARRRGGGHHH!!!! NO, NO, NO, NO! YOU STUPID NINNIES!! YOU ILLITERATE COWS!! "Rue" is an herb!! "Roux" is the flour-butter gravy base! RUE HERB! ROUX GRAVY!" How did this country manage to churn out so many bleeding fools?? No, I am NOT going to calm down!! These women are IDIOTS! BIRDBRAINS! EMPTY-HEADED BUFFOONS! Shoot them! Kill them! Put them in a stew! To start the stew, use a ROUX! Want some flavor? Add some RUE! (Clutching head, running around in crazed circles screaming, "I’m surrounded by idiots! I’m drowning in a sea of stupidity! And these dimwits are raising children!! We are all doooomed!!!" until shot with a tranquilizer dart. Regains consciousness an hour later).

Okay, I’m back.

The Italian Cimaruta, or Witch’s Charm is a charm that Frederich Elworth (
http://www.sacred-texts.com/evil/tee/tee14.htm) dates back to the Etruscans or the early Phoenicians, based upon an amulet located in the museum in Bologna. The name means "sprig of rue" – which it is – and from the rue branches at each end is a sprout; out of the sprout comes forth symbols such as a key, dagger, blossom, and moon. The Cimaruta was often placed above the beds of infants, as protection against the "mal'occhio" or evil eye. I’m told it is a very traditional gift for new mothers to hang over babies’ cribs in southern Italy – I just thought it was beautiful!

As I said, Lammas falls on Wednesday of this week, so I’m having two specifically Lammas-style feasts: one this weekend, and the second next weekend. Today’s feast is Mushroom-Barley-Wild Rice soup and a carambola for dessert. I have never tasted a star fruit before, so this should be interesting. Next week: corn fritters! I’m also going to try to make some of the mezzaluna cakes and see what they taste like.

I found this poem which I liked, mainly because he’s something like Damien in his love for the fall and winter weather, rather than moping around when fall creeps around the corner. The poet, by the way, lived in Connecticut from 1796 to 1828, and no doubt enjoyed the New England fall colors. I thought I’d publish it here and dedicate it to Mr. Signpost, the guy who’s hanging on by his fingernails, waiting for Halloween to arrive.

The Indian Summer
By John G. C. Brainard

WHAT is there saddening in the Autumn leaves?
Have they that "green and yellow melancholy"
That the sweet poet spake of?—Had he seen
Our variegated woods, when first the frost
Turns into beauty all October’s charms—
When the dread fever quits us—when the storms
Of the wild Equinox, with all its wet,
Has left the land, as the first deluge left it,
With a bright bow of many colors hung
Upon the forest tops—he had not sigh’d.
The moon stays longest for the Hunter now:
The trees cast down their fruitage, and the blithe
And busy squirrel hoards his winter store:
While man enjoys the breeze that sweeps along
The bright blue sky above him, and that bends
Magnificently all the forest’s pride,
Or whispers through the evergreens, and asks,

"What is there saddening in the Autumn leaves?"